Over the last few days I have had this idea in my head. If there was a new Mount Rushmore exclusively set aside for contemporary American composers, which four heads would be carved in...
Once in a while a book is published that completely fills a void. That is certainly the case with Appalachian Spring Original Ballet Version produced by Music of the United States of America (MUSA)...
I bet you if I asked 100 people the question “Who has recorded the most pieces by Aaron Copland?” the most common answer by a very long way would be the New York Philharmonic...
I’ve been pretty busy over the last couple of weeks so this is a rather belated review of the second Sound World concert in the Crypt at the Mount Without (read my review of...
Bristol seemed to be like the centre of the classical musical world these last few days! We’ve had several features on BBC Radio 3 in the prominent Breakfast and In Tune slots and the...
At the end of yesterday’s concert at Wigmore Hall pianist Lorenzo Nguyen said that as the concert had been “very tough” that their encore piece would be a movement from Haydn trio. This did...
I don’t normally blog about something that is a current worldwide talking point. So where does one begin and what does one say, that hasn’t been said or written already about Bradley Cooper’s Maestro?...
Aaron Copland and Leonard Bernstein were two titans of 20th Century Music. In many ways they were inseparable, a 50-year friendship where encouragement and patronage passed in both directions. More than this, like binary...
Some concerts you are aware of for weeks in advance and some come your way by happenstance! This morning I didn’t know I would be going to a performance this afternoon. Then an email...
Sometimes the thing you are looking for is right under your nose. Such is the case with the Bristol based project Sound World. I have been vaguely aware of this initiative and its valiant...
