Copland’s neglected child – Symphonic Ode

Of his many children there are a few unloved, neglected, misunderstood ones that deserve much greater attention. Of all these Symphonic Ode is the one I want to adopt!

Copland produced around 80 works of all sizes across all types. Of his many children there are a few unloved, neglected, misunderstood ones that deserve much greater attention. Of all these Symphonic Ode is the one I want to adopt!
Rarely performed and with only a handful of recordings you’d almost think that it was a flawed work without much artistic merit. Yet for me it is one of Copland’s towering achievements. It’s got all the necessary ingredients to be a concert favourite: triumphant opening, moments of levity in the middle section, majestic brass fanfares and percussion and an ending that builds and builds to monumental climax. It is an absolute belter of a piece.

Sure it’s not nearly as approachable as Copland’s most famous works. The melodies are harder to find and first impressions suggest that it is a bit aloof and diffident with what it has to offer. But it is brimming with ideas. Therefore, mean and moody for sure but magnificent nonetheless.

But right from the start it’s had a chequered history. It never got its planned premiere and like other Copland works that suffered this fate (Short Symphony, Statements) it never was able to catch up with the bus that had been missed. The work lost its chance to get a foothold. Things moved on and momentum evaporated and its reputation as a difficult piece preceded its mere mention. The few performances it received were not well received by the audience, hammered by critics, conductors and orchestras struggled with the intricacies of the cross rhythms and couldn’t justify the rehearsal time. As a result there was no call from anyone to programme this magnum opus and give it a fair hearing.

Copland remained steadfastly satisfied with the work and would often cite it as one of his most important pieces. He tried to make it more programmable by changing the barring in the score and reducing the size of the Mahler scale orchestra. But to no avail. To all intents and purposes it is score that has been left on the shelf. Once in a while it has had revivals. San Francisco Symphony Orchestra recorded as part of the excellent Copland the Modernist CD and programmed it for five performances in 2010. But unfortunately these moments in the limelight have been few and far between.

However, I am delighted to say that (Covid 19 permitting) the London Symphony Orchestra will be performing the piece on 21 January 2021. This will take place at the Barbican Hall in a bill also containing works by Barber, Gershwin and Weill under the baton of maestro John Wilson. I can’t wait!

If you’d like to know more about Symphonic Ode listen to this excellent podcast below provided courtesy of San Francisco Symphony Orchestra. There are many more wonderful podcasts like this available on their website.

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Unfortunately, Covid 19 did for the John Wilson / London Symphony Orchestra concert in 2020. That year there were London performances scheduled for this as well as the Orchestral Variations and the Short Symphony. None of these have been rescheduled in the aftermath. I hope a concert promoter takes a risk on these brilliant works sometime soon.

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